Told to put a light in my lamp,
I turned from a daughter’s work
to take a tabular rock in hand
then struck as hail would strike, 
as a man who has grown sick 
of his wife will scrape and grind 
as if he no longer hells infants
world-ward in their blood-rush,
hollowing a cup to hold the oil
I would otherwise have swallowed:
I trust in nothing near, hungering
for the light of the leaf as it unfurls,
tending what I can, beguiling none. 
I tangled my neck in tresses, cutting
the necks from my dresses, snarling
what I knew, what I know I learned
down through my dirt floor. I could
have burned the smear of bear tallow 
I once felt forced to eat on an arm 
of the sea whose waves but wrought 
their white across and up into wind 
when what should harbor winter 
now darkens down to parch. 

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Joan Naviyuk Kane’s poetry collections include The Cormorant Hunter’s Wife, Hyperboreal, Milk Black Carbon, and Dark Traffic. A 2025 USA Fellow, she recently co-edited Circumpolar Connections: Creative Indigenous Geographies of the Arctic.